Who Is Artist Oisin Byrne? Jasper Conran Husband And Married Life
James Bradley
Published Feb 04, 2026
Jasper Conran is a creator from the United Kingdom. He has chipped away at womenswear and home assortments and dramatic shows in expressive dance, show, and theater.
Oisin Byrne’s work has been displayed at the Salzburger Kunstverein, Goldsmiths Center for Contemporary Art, Witte de With Center for Contemporary Art, the Irish Museum of Modern Art, and Princeton University among different spots.
Who Is Artist Oisin Byrne? Jasper Conran Husband Age And Wikipedia Jasper Conran wedded Irish craftsman and entertainer Oisin Byrne in December 2015. He is 39 years of age, having been born in 1983.
Conran is straightforwardly gay and was put 66th on The Independent on Sunday’s yearly Pink List of 100 persuasive gay and lesbian people in Britain in 2009.
He is a London-based Irish visual craftsman, essayist, and movie producer. He moved on from NCAD Dublin with a BA and Goldsmiths University London with a MFA.
Byrne’s work has been displayed at the Salzburger Kunstverein, Goldsmiths Center for Contemporary Art, Witte de With Center for Contemporary Art, the Irish Museum of Modern Art, and Princeton University, among different spots. The Irish State Collection has a huge portrayal of his specialty.
His work has showed up in Eros Press and Pilot Press, and he has material impending in MA Bibliotheque’s treasury ‘ON CARE’ and The Happy Hypocrite’s last release ‘Without Reduction.’ Sophie Fiennes’ film “Elegance Jones: Bloodlight and Bami,” which debuted at the Toronto Film Festival, has Byrne as an imaginative expert.
As a partner teacher, he educates at Central Saint Martins and the London College of Communications.
Meet Oisin Byrne On Instagram Oisin Byrne is very dynamic on Instagram with the client name @byrneoisin. He has devotees of around 7,846, with the posts 495.
He has generally kept the image of his craft. His craft investigates how oneself can be addressed or held inside an individual’s different layers. At the point when the audience strolls inside the exhibition, they are stood up to with a space where variety, music, language, and surface impact.
There is a feeling of fervor, liberality, and sharing remaining on a floor covering portraying the edges of Byrne’s journals, with neon post-it note tabs jumping out, marking pages, and quickly planning the craftsman’s contemplations. The tactile and full of feeling connection makes eccentric performativity that is both enabling and powerless.
